Out Today! 13 Steps to Evil by Sacha Black #AmWriting #PublicationDaySale

 

Today I’m spotlighting and reviewing the lovely Sacha Black’s debut non-fiction book – a masterclass in writing villains – for all you writers out there.

About the Book

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Title: 13 Steps To Evil- How To Craft Superbad Villains
Where is it published: Amazon, Kobo, Nook, iBooks, Tolino, Barnes and Noble, inktera
No of Pages: 222
Release Date: 30th May
Formats: Paperback and eBook
Purchase: All good retailers! Universal book link.
Publication day sale: You can snap up the e-book for just £1.99 today! Limited time only!

Your hero is not the most important character in your book. Your villain is.

Are you fed up of drowning in two-dimensional villains? Frustrated with creating clichés? And failing to get your reader to root for your villain?

  In 13 Steps to Evil, you’ll discover: 

  • How to develop a villain’s mindset

  • A step-by-step guide to creating your villain from the ground up

  • Why getting to the core of a villain’s personality is essential to make them credible

  • What pitfalls and clichés to avoid as well as the tropes your story needs

Finally, there is a comprehensive writing guide to help you create superbad villains. Whether you’re just starting out or are a seasoned writer, this book will help power up your bad guy and give them that extra edge.

These lessons will help you master and control your villainous minions, navigate and gain the perfect balance of good and evil, as well as strengthening your villain to give your story the tension and punch it needs.

 If you like dark humour, learning through examples and want to create the best villains you can, then you’ll love Sacha Black’s guide to crafting superbad villains. Read 13 Steps to Evil today and start creating kick-ass villains.

Meet the Author

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Sacha Black has five obsessions; words, expensive shoes, conspiracy theories, self-improvement, and breaking the rules. She also has the mind of a perpetual sixteen-year-old, only with slightly less drama and slightly more bills.

Sacha writes books about people with magical powers and other books about the art of writing. She lives in Hertfordshire, England, with her wife and genius, giant of a son.

When she’s not writing, she can be found laughing inappropriately loud, blogging, sniffing musty old books, fangirling film and TV soundtracks, or thinking up new ways to break the rules.

Contact Information

Non-fiction Website: www.sachablack.co.uk

Fiction Website: www.sachablackbooks.com

Social Media

Twitter: @sacha_Black

Facebook: Sacha Black author page

Pinterest: Pinterest profile

Instagram: Sacha Black profile

Goodreads non-fiction: Sacha Black profile

Goodreads fiction: Sacha de Black profile

Tumblr: Sacha Black profile

Google+: Sacha black profile

Linkedin: Linkedin Profile

Amazon Author Page

Excerpt

Why Writers Fudge Up Their Villains

Villains are like newborn infants. So much glorious potential. Until we writers get our grubby mitts on them and balls it up. With the careless flick of a pen, we can turn a finely sculpted baby villain into a cringe-worthy cliché because we didn’t make him bad enough, or we create something so heinously evil it’s unrealistic.

A villain might be a plot device, but he still needs a purpose and a goal, or he’s unworthy as an opponent for your hero (See STEP 3 for motives and goals).

While researching this book, writers told me all kinds of problems they encountered while creating their villains. From getting the dialogue right and avoiding clichés, to knowing how evil to make a villain, to how to reveal her motives without using blatant exposition.

Behind all these issues lie two basic barriers that are the Achilles in every writer’s villainous heel:

1. Depending on the point of view (POV) the book’s written in, the villain is usually seen through the eyes of your hero.

A solitary POV gives you a page-limited amount of time to show your villain’s best, most authentic and devilishly evil side. Page-limited to the point it makes it eye-wateringly difficult to convey her backstory effectively without information dumping. You have to be better, clearer, more tactical and more concise with your words to create superbad villains.

2. Writers are hero worshippers.

We love our heroes and protagonists more than our spouses. And as a result, we spend shameful amounts of time honing our protagonist’s muscular heroics into shape. But that relegates our villain (the plot-driving conflict-creator) to the corner of our book, complete with a nobody-loves-you-anyway hat. In other words, writers don’t pay enough attention to their villain.

Review

I’ve been following Sacha’s blog for a while now and love the energy, humour and passion that she puts into helping writers hone their craft. In 13 Steps to Evil, Sacha has put together everything she has learnt about writing and focused on how to create superbad villains – something she believes is often overlooked.

I thought this book was brilliant. Even if like me, you’re not currently writing anything and therefore not using it directly as a writing tool, it’s still a great read and one that you can apply to any kind of writing. It’s full of tips, examples, and in-depth exploration of writing bad guys (and girls).

“It will teach you to craft villains so brilliantly twisted they’ll make your readers throw themselves like sacrificial lambs between the pages of your book.”

I was especially impressed by the way the book structured with each chapter acting as a different step, exploring a different facet of writing a convincing and complex villain, and each point is backed up with an example from a well-known book or movie. I thought this was a great idea – it made it really easy to picture exactly what Sacha was explaining, and each example was totally spot on.

The end of each chapter also has a bullet-pointed summary and finishes with questions to ask yourself as you work through your own manuscript. But the best part of this book, is definitely Sacha’s wit and wisdom. Her personality (and potty mouth – which I love, obviously) really shines through, making it an enjoyable read and not something to trawl through like a lot of writing books.

“Motives are story mechanics, pillars of structural necessity. Without them, you’re fuckled, sideways…With a giant piranha covered pogo stick.”

It’s also clear that Sacha did a lot of research for this book, and I felt like I was in good hands the whole way through! If you’re struggling to create an evil character, or even if you’re just interested in the writing process, I think this book will help and entertain.

Many thanks to Sacha for providing me with a copy of the book and letting me join in the publication day partayyy! Let’s dance!

 

 

 

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Book Promo: Redshift Rendezvous by John E. Stith #ReleaseDayParty

Welcome to another book promo/ author spotlight  on Lipsyy Lost & Found.

 

Today I’m celebrating the re-release day of Redshift Rendezvous by acclaimed Sci-Fi author John E. Stith.

Last week I spotlighted some of John’s classic sci-fi titles which have already been re-released & given a makeover. There will be nine in total, some being released in paperback for the first time in ten years. 

Today it’s the turn of Redshift Rendezvous…check it out below. 

Redshift Rendezvous

 

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ReAnimus Press

244 pages

November 15, 2016

WARNING: Read This Guide Before Boarding the Redshift.

The environment aboard a hyperspace craft is quite safe as long as you are careful. The management reminds you that the speed of light on board this craft is ten meters per second (or about 30 million times slower than what you are used to). This means you will frequently encounter relativistic effects and optical illusions.

Aboard the hyperspace liner Redshift is a relativistic world of slow light and treachery.  The first sign of trouble is the apparent suicide of a passenger.  When the first officer discovers that she was murdered – he wants answers.  

Before long, a desperate group of hijackers use the hyperspace liner to plunder a fabled colony – and only one man stands in their way.

Amazon // Goodreads 

Q & A with John E. Stith

You’re re-releasing nine of your novels in just under a year! Can you share what inspired this decision?

Since originally published by Tor Books and Ace Books, most of these books were available in ebook form, but some haven’t been available in paper for more than a decade, so I felt it was time to correct that. ReAnimus Press specializes in bringing back SF that has been unavailable for a while (e.g. Jerry Sohl) and re-releasing works that have been in print all along (e.g. Ben Bova).

You write both sci-fi and mystery – do you have a preference for one over the other?

I love both. Some of my work even blends the two. Deep Quarry features a private eye. The protagonist in Death Tolls is an investigative reporter. Naught for Hire is a futuristic private eye tale, Reckoning Infinity is a space exploration and Manhattan Transfer  deals with a very unusual form of first contact– kidnapping.

Any special research you had to do for these various titles?

I almost always wind up picking projects that require more knowledge than I already have, partly because I enjoy constantly expanding my horizons. Memory Blank necessitated knowing more about Gerard O’Neil-inspired L5 orbital colonies and Death Tolls required media and reporting research. Redshift Rendezvous also required research into relativity because most of the novel takes place aboard a hyperspace craft where the speed of light is ten meters per second. That means relativistic effects like redshift happen when people run. Flipping a light switch causes a room to slowly fill with light.

What fascinates you most about writing?

That it seems almost universal. When I worked in software engineering, people would ask what I did for a living.  I’d run into some people already in the business, but many of the others had zero interest in the field. When I mention to strangers that I’m a writer, it seems like half the time I find they’ve written stories or want to write, and in many cases,  have sold their work already.

Do you have a favourite author?

Robert Heinlein is really high on my list for several reasons–fun characters, interesting ideas, thoughtful speculation, and pure storytelling power.

How has your education, profession or background helped you in your writing career?

My degree is in physics, and part of what drives my efforts to make my stories convincing, not with quite the nuts and bolts aspects of THE MARTIAN, but closer to the ENDER’S GAME portion of the spectrum.

Can you pinpoint your biggest influence?

My parents. They gave me values and a love of reading that eventually became a love of writing. And my brother, Richard, who is a fountain of love, support and good humour.

Have you received any awards for your work? Book related and not book related?

My work includes a Nebula Award finalist, a Seiun Award finalist, a La Tour Eiffel Science Fiction Book Prize finalist, a Hugo Award Honorable Mention, Colorado Authors’ League Top Hand Award winners, HOMer Award winners, and Science Fiction Book Club selections.

My work has also appeared on the New York Public Library Best Books for Young Adults list, Science Fiction Chronicle’s List of Year’s Best Novels, and the yearly Locus Recommended Reading Lists.

Any organizations you are involved in (in the literary world, or others that you are passionate about?)

I’m a past contracts committee chair for Science Fiction & Fantasy Writers of America. I’m a past regional VP of Mystery Writers of America. I’m also a member of International Thriller Writers, Colorado Author’s League, and Rocky Mountain Fiction Writers.

Any other new projects on the horizon after these re-releases?

I have a psychological thriller that should be out in 2017. A web series based on Naught for Hire  is in development with Ben Browder to star. Another producer hopes to film a pilot of Manhattan Transfer to use to sell the series. In parallel, a number of audiobooks and short stories are in the pipeline, as well. “Simon Sidekick” and “One Giant Step,” both short stories, should be available in ebook and audio form by July 1, 2016.

The fourth book to be re-released, Memory Blank, will be with us in December with a further three titles expected next year. Many thanks to John, and Sami @ Roger Charlie.