Last Wednesday was the premiere launch event for Patrick Ness’ new release, Release, and I was there (not to rub it in or anything), but yayyyy!
For any of you who don’t know, Patrick is the author of several (amazing) YA books including The Chaos Walking Trilogy, The Rest of Us Just Live Here, and A Monster Calls which was adapted for the screen recently. He also penned the BBC series Class which has ties to the world of Doctor Who.
The night consisted of an on-stage interview with Patrick, a Q&A with the audience, and a signing. We also got pretty amazing goodie bags (see bottom of post) not to mention the new book a week before its release. *Happy Dance*
Before I get into some of the topics discussed, let me just say that it’s all paraphrased by me as I didn’t take notes, and my memory is pretty terrible at the best of times, never mind after a tipple or two 😉
Firstly, Patrick discussed the new book, Release, which is a day in the life of Adam Thorn, ‘the most unsettling, difficult day of his life, with relationships fracturing, a harrowing incident at work, and a showdown between this gay teen and his preacher father that changes everything.’
Patrick talked about being sick of reading gay YA books where the climax of the relationship is two boys holding hands under a tree. It’s not real. Real teenagers have sex. Yes, even gay ones. A great discussion about sex in literature ensued, with Patrick saying that he needed a book like this as a teenager; where gay sex is portrayed in a tender, sweet, and honest way. For books to omit loving, gay sex is damaging. Teenagers think there’s something wrong with it (them), and they turn to other things to explore like porn and Grindr.
He talked about hating the phrase ‘coming to terms with your sexuality’, explaining that he doesn’t think it’s something you have to come to terms with because it’s just who you are. It’s the world’s problem if they can’t handle that. Feel the fear, but do it anyway.
The discussion about how LGBTQ teens are represented in literature then turned to a broader look at diversity, and Patrick talked about his (many!) nephews and nieces, many of whom are mixed race and multi-cultured. And that’s what the world looks like, if that isn’t represented in books, then it’s not realistic.
Diversity shouldn’t be a tick list, but if that’s what it takes to make sure all people are represented then so be it. He talked passionately about the importance of stories being a mirror. I can’t remember who he said the quote came from but it was that in all good stories, the protagonists are like mirrors – all readers should be able to see themselves in the character – but I whole-heartedly agree with him when he said that it’s only people who are always represented who think everyone can see parts of themselves in characters. And that’s why he didn’t hold back in this book, and The Rest of Us Just Live Here. Recognising yourself in a story is magic… and the world is screaming out for more diverse stories, just look at Angie Thomas’ current success with THUG.
He urges everyone to write their story. If you are not mirrored in the books you read, write that story. Don’t ask permission. Write anyway. Writers don’t just write. They write anyway.
We were then led to the age old YA Vs Adult fiction debate. His definition for the genres was so perfect it made me jaw-drop:
“YA tends to be about exploring boundaries. Adult tends to be about being trapped by those boundaries.”
The book snobbery surrounding YA was mentioned and I loved Patrick’s response. He believes it shouldn’t be a battle. YA shouldn’t be fighting against Adult Lit. There is good stuff everywhere. If you can’t admit that there’s good stuff in other genres you sound like a cult leader (LOL!). His analogy to LA always being slagged off by New Yorkers cracked me up too. Does LA give a shit what NY thinks? Nope. LA says ‘no worries man, come on over and have a good time anyway. Maybe you’ll leave with a different attitude.
Be more LA, YA. Be more LA.
While I agree with him completely, I do get exasperated having to explain the Young Adult genre to people. I work in a prison library and I’m constantly trying get prisoners to engage with reading. I think YA would be perfect for them, but they look at me like I’m mad. But why would you/I read that? It’s for children. Sigh. But no more, I’m going to be more LA, too!
There was lots more discussion, but those were my favourite parts. I’ve also been left with the need to read Mrs Dalloway, and Forever by Judy Blume -both of which inspired Release, and both of which have passed me by.
After the talk and Q&A, my friend Dora and I (and the other 200 -that’s a guess- people) queued to get our books signed. And this is where I feel the need to apologise. The queue was long. I had plenty of time to come up with something great to say to Patrick Ness as he signed my book…
I could have told him what I’ve just told you about being more LA at work. But no.
I could have told him I loved The Rest of Us Just Live Here so much because it reminded me of a Buffy spin-off show concentrating on the minor characters at the school who aren’t in the know about Buffy and the Hellmouth. They witness all the weird shit, but aren’t let in on the big secret. But no.
I could have asked him how he could possibly enjoy redrafting more than getting the story down initially. About how I splurge out all these stories but find it impossible to transform them into a not-hot-mess. But no.
What did I say, Readers?
I said *dons voice of stupidity* are you bored yet? I mean really. What a Knobular. I can only apologise. Patrick was of course extremely sweet regardless.
Thanks to Walker Books, Waterstones and Curzon, (not to mention the wonderful Patrick Ness himself), for putting on such a great night!
Photographs my own unless otherwise credited.